Week 34
man of steel
HAYDN Symphony No. 101 (The Clock)
INTERMISSION
SHOSTAKOVICH Symphony No. 4
Bernard Haitink, conductor
Monday
off
Tuesday
10-12:30 rehearsal
Wednesday
10-12:30 1:30-3:30 rehearsals
Thursday
10-12:30 rehearsal
8 concert
Friday
8 concert
Saturday
8 concert
Sunday
3 concert
At the Tuesday rehearsal Haitink made a few gracious remarks about the Muti appointment that were brief, understated and to the point – typical Haitink. Kudos to him as well for keeping the brain numbing aspects of the Shostakovich 4 as in check as can be hoped for. Nevertheless, we have to play the piece six times over the next two weeks, which is damaging enough.
Unlike the Mahler 1, which we played twice in less than a year, the Shostakovich 4 was last performed in January of ’06. I suppose that is long ago enough, but it still seems odd to repeat the same symphony so soon when there are more than a dozen others.
The run of concerts in ’06 included what has to be the most talked about Beyond the Score presentation to date. A pro Stalin (!) heckler who could not bear to hear the name of the “Great Architect of Communism” denigrated for another moment began shouting his objections to the proceedings before being escorted out by security. I keep wondering if that guy is going to be back this week.
Supposedly we played Haydn 101 in ’02 (with Slatkin). If so, he must have brought his own parts because ours still had marking from Solti in them. At any rate, I wish we would play Haydn symphonies more often whoever is conducting.
HAYDN Symphony No. 101 (The Clock)
INTERMISSION
SHOSTAKOVICH Symphony No. 4
Bernard Haitink, conductor
Monday
off
Tuesday
10-12:30 rehearsal
Wednesday
10-12:30 1:30-3:30 rehearsals
Thursday
10-12:30 rehearsal
8 concert
Friday
8 concert
Saturday
8 concert
Sunday
3 concert
At the Tuesday rehearsal Haitink made a few gracious remarks about the Muti appointment that were brief, understated and to the point – typical Haitink. Kudos to him as well for keeping the brain numbing aspects of the Shostakovich 4 as in check as can be hoped for. Nevertheless, we have to play the piece six times over the next two weeks, which is damaging enough.
Unlike the Mahler 1, which we played twice in less than a year, the Shostakovich 4 was last performed in January of ’06. I suppose that is long ago enough, but it still seems odd to repeat the same symphony so soon when there are more than a dozen others.
The run of concerts in ’06 included what has to be the most talked about Beyond the Score presentation to date. A pro Stalin (!) heckler who could not bear to hear the name of the “Great Architect of Communism” denigrated for another moment began shouting his objections to the proceedings before being escorted out by security. I keep wondering if that guy is going to be back this week.
Supposedly we played Haydn 101 in ’02 (with Slatkin). If so, he must have brought his own parts because ours still had marking from Solti in them. At any rate, I wish we would play Haydn symphonies more often whoever is conducting.
***
Intermission of the Friday performance included a diversion when police officers were spotted in the balcony clambering over seats, wreslting with and evertually handcuffing an unruly audience member before leading him away. For a moment I thought the Stalinist was back, but this was a different person with a different set of problems.
Intermission of the Friday performance included a diversion when police officers were spotted in the balcony clambering over seats, wreslting with and evertually handcuffing an unruly audience member before leading him away. For a moment I thought the Stalinist was back, but this was a different person with a different set of problems.
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