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Showing posts from March, 2013

In Praise of Purgatory

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Last week we played, among other things, the Adagio from Mahler's unfinished 10th symphony. For health reasons Pierre Boulez had to withdraw from two weeks of conducting, passing the baton onto Cristain Macelaru and Asher Fisch. Another notable piece on offer was the Bartók Divertimento for String Orchestra, which has had a notable history in our orchestra, particularly for the bass section, but about which I can write absolutely nothing. Although my fondness for Mahler's music has gone up and down over the years, the 10th symphony has always been a favorite. As a youngster   in the early 1970s , I had the good fortune to be part of what I think was at the time a very rare early performance of the performing version by Deryck Cooke. The mystique behind the piece captivated me - Mahler's supposed obsession with death, the poignant funeral procession for the New York fireman which passed below his hotel window. The sensationalism behind that performance also made a lasting im...

B.B.B.B.B.B.B

Bass Blog Back Better than Before! Homer : ...the extra 'B' is for BYOBB. Bart : What's that extra B for? Homer : It's a typo. Sorry for the long sabbatical. In truth, I've been waiting for three people to ask in person about the blog before resuming. It only took six months... There are certain professions where having an eighty-two-year-old fill in for a seventy-one-year-old doesn't raise a bushy eyebrow. The United States Senate comes to mind, along with the chairman's seat at some exclusive private clubs, the College of Cardinals, and if something which happens once every 600 years or so makes for a trend, perhaps one day even the Papacy itself. And then of course, there is Conducting. The {redacted} SO saw itself in just such a position last month, when due to some health issues our music director withdrew from two weeks of concerts here, along with a three week tour to Asia. Edo de Waart stepped in for the local performances. Osmo V ä nsk ä fill...