In Praise of Purgatory
Last week we played, among other things, the Adagio from Mahler's unfinished 10th symphony. For health reasons Pierre Boulez had to withdraw from two weeks of conducting, passing the baton onto Cristain Macelaru and Asher Fisch. Another notable piece on offer was the Bartók Divertimento for String Orchestra, which has had a notable history in our orchestra, particularly for the bass section, but about which I can write absolutely nothing. Although my fondness for Mahler's music has gone up and down over the years, the 10th symphony has always been a favorite. As a youngster in the early 1970s , I had the good fortune to be part of what I think was at the time a very rare early performance of the performing version by Deryck Cooke. The mystique behind the piece captivated me - Mahler's supposed obsession with death, the poignant funeral procession for the New York fireman which passed below his hotel window. The sensationalism behind that performance also made a lasting im...